S.A.R.A. – synesthetic augmented reality application brief:
Original concept, production and technology: //benitez_vogl
Margarita Benitez: Assistant Professor Fashion Design and Fashion Technologist – Kent State University –
The Fashion School
Markus Vogl: Assistant Professor Graphic Design Interactive Media – The University of Akron –
Myers School of Art
S.A.R.A. – (synesthetic augmented reality application) is an App exploring the potential of using a mobile device as a unique and wearable musical interface. S.A.R.A. was originally developed as a standalone App to translate the surrounding environment into sounds on mobile devices (iPhone and Android) creating a digitally augmented synesthetic experience. The imagery captured via the mobile device’s onboard camera is translated into synesthetic-inspired sounds. In its original development S.A.R.A. has been graciously supported with a 2012 National Endowment for the Arts – New Media Artworks Grant.
Please download S.A.R.A. from the App or to ITunes store in our Download S.A.R.A. section.
To demonstrate the capabilities the technology //benitez_vogl (Margarita Benitez Kent State University and Markus Vogl University of Akron) entered into a collaboration with Kimberly Karpanty (Kent State University) and her Travesty Dance Group in July 2012 to showcase the capabilities of the open source device. The choreography calls for several dancers wearing the app playing on a portable device in conjunction with a mini projector.
The App produces the video and the sound based on the camera input and the movement of the dancers. It investigates the use of wearable computing technology during performance as well as loosely bases it’s technological approach on ludological and synesthetic experiences to let the user explore it’s surrounding environments sonically. The role of performer is also augmented as they are now gatekeepers of what sounds are made as well as what images are projected by deciding what live imagery and angles look most appealing to rebroadcast. Performers can choose to project images on themselves, their co-performers or onto the architectural structures of the venue. This format allows for a completely new interaction with wearable technology – augmenting and mediating their performance via several technological input and output mechanisms while still maintaining choreography as well as allowing for subjective choices during the performance. The Human Computer Interaction between the dancers and the technology as extension of their bodies creates an altered/mediated/mitigated performance environment that is always unique to the specific performance venue.
S.A.R.A. is not only an interface and an interactive software application for consumption, play, discovery and joy but is a jump off point for a larger discussion on transformational strategies in regards to both S.A.R.A. as a wearable musical/performance interface but additionally in the Open Source distribution of S.A.R.A. as a tool.
The technology will be released open source and it is potentially possible to custom craft new versions for every performance or for other dance troupes to adapt the technology with their artistic vision. Creating the App for an existing platform device such as an ipod touch and utilizing a relatively inexpensive laser pico projector.
“Our media rich and technology filled life has given rise to a different level of understanding of digital structures. Media developers and artists alike introduce fresh behaviors in the way we communicate and deal with virtual data. The creation of the S.A.R.A. App hopefully will contribute to interesting dialogues by re-contextualizing the simple act of video capture by letting the user listen to their surrounding environments. Producing and releasing the App open source, letting interested users see and work with the code at no cost introduces an alternative to existing business models and in true educational spirit shall foster creative impacts for artists and performers. Critical thinkers can find a fertile ground for discussion and comments based on our approach to create tools for artists rather than artworks.”
Research Paper: Download our research paper
Upcoming performance: ingenuityfest 2014
Press Ready images:Click here to download print quality images.
Press: Cellar door press coverage
More Projects: //benitez_vogl
Margarita Benitez and Markus Vogl artist collaborative is named //benitez_vogl and develops work within a hybrid art praxis. They question contemporary issues concerning technology, such as exploring the mediation of information in our lives. Their works integrate installations, high tech/low tech materials from fiber, sound and art + technology practices. They have been collaborating since 2000 on interactive installations and sound works.
Margarita Benitez’ interdisciplinary background mixes art and technology, interface design, tangible computing, 3D, architecture and fiber/material studies. She received her MFA in Art + Technology Studies thru a Trustee Scholarship from the School of the Art Institute of Chicago. In addition to working with fashion technology and e-textiles, her current research explores the concept of pret-a-faire (ready-to-make) thru generative fashion applications and she is currently developing OSLOOM, an open source thread-controlled loom (funded thru Kickstarter and a Farris Family Fellowship Award.) Her work has been exhibited nationally, internationally and is part of museum and private collections. Most recently she presented her work at COLLIDER 4 :: SPECTACLE, at the BIFT/ITAA Symposium at Beijing, the New Media Art Caucus Artist showcase at the 100th Annual College Art Association Conference and at the 2012 Smart Fabrics Conference. She will be the Fulbright-Quartier21/MuseumsQuartier Artist-in-Residence for 2012-2013 for the project open thread : wien. She received a 2012 NEA Artworks Grant for co-curating the exhibition Shifting Paradigms of Identity: Creative Technology and Fashion and a 2012 NEA Media in Arts Grant for S.A.R.A.: Synesthetic Augmented Reality Application, a wearable synesthetic performance device. She is the Fulbright museumsquartier artist in residence 2013. She is currently the Fashion Technologist and an Assistant Professor in Fashion Design at The Fashion School at Kent State University.
Markus Vogl originally from Salzburg, Austria is now a NE Ohio based multimedia artist experimenting in multiple sensory experiences combining sound, environments and interactive installation. He has exhibited internationally in the U.S. and Europe and has been recognized in Leonardo magazine for his collaboration Circadian Capital. In his role as designer for his former Miami, FL business pixel foundry he has worked with clients like mun2 and mtv latino. He holds a Masters of Fine Art degree in New Media from Donau Universitaet Krems/transart institue. His work has been exhibited on 3 continents He has received the 2012 NEA Media in Arts Grant for S.A.R.A.: Synesthetic Augmented Reality Application, a wearable synesthetic performance device. S.A.R.A. has been shown at ingenuityfest, Collider and the Cleveland Public Theater. He has presented papers at South by SouthWest, Digital Fashion, London and the BIFT/ITAA research Symposium at Beijing. He currently is an Assistant Professor at the Myers School of Art at the University of Akron.